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"Show Her It's a Man's World": Advertising the Power Dynamics in Marriage

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  The image above includes two ads side by side, a project curated by artist and photographer Eli Rezkallah as part of a photo series called “In a Parallel Universe.” The ad to the left features a man lying in bed, his arms propped up, hands behind his head in a relaxed manner. Several white pillows prop him up, and white sheets cover his legs. He wears a white button-up shirt and a colorful tie, looking contently off into the distance. Below him, a woman, presumably his wife, kneels beside his bed, wearing a pink bathrobe. She looks up at him and is depicted in the process of placing a tray before him, featuring plates of food, a teapot, and a cup. Black text in the upper left corner of the image reads, “show her it’s a man’s world” and the bottom of the image displays a larger drawing of a tie and the words “Van Heusen” and “man’s world.” The second ad, on the right, exhibits a woman lying in a white-sheeted bed and propped up by many pillows. Like the man in the other ad, she si...
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Constructing Nationalism through Vietnamese Art

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  Constructing Nationalism through Vietnamese Art This image depicts me posing next to a Vietnamese lacquer painting displayed in the Ho Chi Minh City Museum of Fine Arts in Vietnam around three years ago. The painting, “Vườn Xuân Trung Nam Bắc” (“Spring Garden of the Central, South, and North”), was made by artist Nguyễn Gia Trí, capturing Vietnamese nationalism during and post wartime in the 20th century (RedVN 2024). In the middle of the painting stands a group of young Vietnamese women gracefully attired in traditional dresses representing three regions of Vietnam - North, Central, and South. Each dress, illustrated in vibrant colors such as deep red, delicate gold, and rich emerald, draws our immediate attention and creates a rhythmic visual harmony across the painting. The central group of women dance gracefully, sing, and play traditional musical instruments together, evoking a collective, joyful moment. Surrounding them are blossoming flowers that amplify the freshness of ...
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The Business Plot as Emergent Elite Collaboration

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C. Wright Mills, in The Power Elite , has to contend with what he describes as “willful co-ordination” (Mills [1956] 2000:20). In considering the role of the elites and of power, a study thereof will run into historical moments which seem to give weight to an un-academic, conspiratorial perspective of history—the Business Plot, for some, is one such moment. In 1933, a number of “financiers” (Archer 1973:31) had worked to convince retired Marine Corps General Smedley Butler to lead a veteran army on Washington, unseating then-President Roosevelt and installing Butler as the nation’s new “Secretary of General Affairs” (Katz 2022). Butler did not intend to aid the plot, but told its representatives of his collaboration while pumping them for information. He would go in to testify in front of Congress as to the nature of the conspiracy. On first blush, to both contemporaneous and modern observers, the Business Plot might appear to be the exact kind of conspiracy that gives weight to visio...
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