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"Show Her It's a Man's World": Advertising the Power Dynamics in Marriage

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  The image above includes two ads side by side, a project curated by artist and photographer Eli Rezkallah as part of a photo series called “In a Parallel Universe.” The ad to the left features a man lying in bed, his arms propped up, hands behind his head in a relaxed manner. Several white pillows prop him up, and white sheets cover his legs. He wears a white button-up shirt and a colorful tie, looking contently off into the distance. Below him, a woman, presumably his wife, kneels beside his bed, wearing a pink bathrobe. She looks up at him and is depicted in the process of placing a tray before him, featuring plates of food, a teapot, and a cup. Black text in the upper left corner of the image reads, “show her it’s a man’s world” and the bottom of the image displays a larger drawing of a tie and the words “Van Heusen” and “man’s world.” The second ad, on the right, exhibits a woman lying in a white-sheeted bed and propped up by many pillows. Like the man in the other ad, she si...
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Constructing Nationalism through Vietnamese Art

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  Constructing Nationalism through Vietnamese Art This image depicts me posing next to a Vietnamese lacquer painting displayed in the Ho Chi Minh City Museum of Fine Arts in Vietnam around three years ago. The painting, “Vườn Xuân Trung Nam Bắc” (“Spring Garden of the Central, South, and North”), was made by artist Nguyễn Gia Trí, capturing Vietnamese nationalism during and post wartime in the 20th century (RedVN 2024). In the middle of the painting stands a group of young Vietnamese women gracefully attired in traditional dresses representing three regions of Vietnam - North, Central, and South. Each dress, illustrated in vibrant colors such as deep red, delicate gold, and rich emerald, draws our immediate attention and creates a rhythmic visual harmony across the painting. The central group of women dance gracefully, sing, and play traditional musical instruments together, evoking a collective, joyful moment. Surrounding them are blossoming flowers that amplify the freshness of ...
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Purity and Contamination: Capturing the HIV/AIDS Crisis

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  Nan Goldin, top: "Gilles and Gotscho in my hotel room," Paris 1992 bottom: "Gilles in his hospital bed," Paris 1993        Photographer Nan Goldin captured the gay subcultures of New York City during the late 1970s and 1980s, focusing on issues of drug use and the HIV/AIDS crisis. Goldin was close friends with the people she photographed, showing snapshot images of the intimacy and relationships she had with others. The visual diary she kept unintentionally brought to light the typically unnamed identities of the victims of the HIV/AIDS crisis, showing them as friends, as individuals, as real people outside of a statistic. These specific images were captured in 1992 and 1993 in Paris, the top one of Goldin's close friends Gilles and Gotscho, and the bottom one only of Gilles, after becoming extremely ill from an HIV infection. The top image shows humanity, love, admiration, and purity. The physical human body is typically seen as 'pure', especially whe...
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